SIDECHAIN COMPRESSION LOGIC PRO PRO
This sucks, because pro mixes rely on a the low end to be both tight and powerful. Since both the bass and kick are low end instruments, they tend to get in each other’s way. The classic Sidechain scenario is our deep kick and bass are fighting for space in the low end. We Sidechain because we want a plugin to listen to the Sidechain track, but respond on the track it’s inserted on. These tracks are all available for the Gate to listen and respond to. In this case the Gate has the option to listen to another track.Ĭlick on the menu, and you can see a list of all the inputs, tracks and busses in your project: How do you know if a plugin can Sidechain? Just look in the upper right-hand corner of the plugin window: Plugins are the key to connecting Sidechains. But what they do totally depends on the plugin you’re using to listen with. Sidechaining gives you the ability to let your tracks listen in on each other. Sidechaining gives your tracks a set of ears that listens to another track or instrument.īut how do you Sidechain in Logic Pro X? And when should you?Įasy! It’s all really a matter of what do you want to accomplish. That’s what Sidechaining in Logic is all about. Wouldn’t it be great if your bass could hear that kick drum, and step to the side to let that kick really thud? But the bass just seems to steal that kick’s subby glory. As with the sidechain compression, we can adjust the attack and release.įinally, after these courses, you will be able to define which type of sidechain to apply, depending on the type of production you want to make.Have you ever wished that your tracks could listen to each other?įor example, say you’ve got a killer kick drum that drops right at the perfect spot. For example, below 800 Hz the setting can be very short, and very long above 800 Hz. In fact, this technique allows you to apply the sidechain with different settings for each frequency range. However, the compression is different because it acts in a completely different way. The multiband sidechain compression is also an automated compression. We can also set the degree of attack and release of this compression. We will therefore indicate which track should trigger the compressor, and with what amplitude. In the case of sidechain compression, another signal is used as the trigger. Usually a compressor lowers the gain of a track from the signal of that track. We use a compressor, but not for its primary purpose. This time it is an automated compression. On the other hand, for a global sidechain it is enough to route the tracks to a return track and to apply the sidechain to this track. Because the operation has to be repeated for each track if we want a different sidechaining for it.
This is the longest method to set up, but it is also the most precise. To do this, we will determine the length and amplitude of the gain reduction on the track we want to compress.
SIDECHAIN COMPRESSION LOGIC PRO MANUAL
The different techniques of sidechining The manual sidechain:įirst of all, this technique does not require any particular software or compressor. The main thing is not to have any confrontation in the low frequencies. Then the settings will not be the same for each type of production. We will see that some methods are more or less tedious depending on the choice of tools we use. To begin with, there are a good number of sidechaining methods.
This is a technique not to be neglected when producing music in MAO. Sidechain compression is the act of reducing the volume of one or more tracks for a short time.
0 kommentar(er)
